'The Land of the Enlightened' movie preview

In the first parts of The Land of The Enlightened after a radio show on President Obama that reports that American troops would soon be hauling out of Afghanistan, first time movie producer Pieter-Jan De Pue's appealing vérité delineation of Afghanistan's dreary future, gets straight to the point regarding the nation's apparently revealed presence, plotting out the cycle of Afghan hardship by means of voice over of sacred legend and pictures legendary scenes. "I made a mistake," he (god) said. "I don't have any land left for you." With dazzling 16 mm cinematography, a sympathetic eye, and a lot of strength, De Pue delves into this uncivilized desert world, after a maverick band of outfitted youngsters as they attack tired voyagers and exchange the opium and lapis lazuli they take as abundance, producing, at last, a future-less representation in which ethics are tossed for the sake of survival.

On the other edge of The Land of the Enlightened, as though blending the fierce desert-bound style of Ben Rivers' late cross breed 16mm endeavor The Sky shakes and the Earth Is scared and the two eyes are not related with the winding story draw of Hanna Polak's tragic story of kids experiencing childhood in the trash dumps behind of Moscow in something better to Come, De Pue begins lensing the tough presence of Afghan children as they work the neighborhood lapis lazuli mines close by grown-ups, search for old Soviet mines, tank shells and projectile housings for scrap, and attack voyaging troops trying to force their energetic and presumptuous, yet no less relentless will upon their area. The group of adolescents, notwithstanding their age, show a shocking well-suited for critical thinking, having built up an inside rank with their really young looking pioneer appointing obligations and managing opium to local people with the expertise of the veteran.

The Land of the Enlightened- Scene from the movie

At the same time, a juvenile visionary, he had a dream of taking control over his nation, being the king of Afghanistan, and wedding his local sweetheart, whom he, in the long run, requests consent to marry.

While most of The Land of the Enlightened rotates around the rummaging exercises of the Afghan kids, De Pue compares their fact through sensually stunning cuts against those of the American fighters still conveyed at the Pamir Mountains. Tensely anticipating the end of their visits, these are men who no more see the Afghan youngsters, whom they are apparently for maintaining peace as human. Trading shotshells for various stock, the officers insinuate them as simply cockroach's handling for metal. Essentially as we have seen in Tim Hetherington and Sebastian Junger's Restrepo, American officers are so depleted they shoot rounds at obviously anything that moves like shots, mortars and bombs fly. "You saw them?" "I saw some dust kicks up from a muffled burst." just the same old thing new, yet no less horrifying to witness, particularly when De Pue slices to an American warrior making an engage a room loaded with Afghan local people, endeavoring to clarify.

Watch the official trailer below.

In De Pue's eyes, The Land of the Enlightened is a nation still oblivious ages, set back hundreds of years by war and remote occupation, and still looked downward on with hatred, even as mobilized troops are sent by the thousands as helps to smother the terrorist cells as yet hiding inside of its outskirts. By giving his film the provocative title The Land of the Enlightened, the producer suggests that the country's appearing guilelessness is, truth be told, a kind of straightforward complexity in which they could live moderately glad lives if uncomplicated by the most prominent hobbies of the world on the loose. As a barren representation of Afghanistan's quick future, De Pue's introduction narrative is a fairly wild piece of true to live filmmaking that figures out how to saddle the confidence of its vivacious subjects, while as yet contextualizing their still youthful lives inside of the most noteworthy photo of their country's consistently dreary state. Indeed, even despite brutality, medications, terrorism and military occupation, over those infertile partitions dreams lay yet not too far off.